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Bond, James Bond

This is perhaps one of cinema's most famous phrases, spoken also by one of the most conspicuous of pop culture since the early 1960's, when it started, sorry for the repetition, one of the most successful film franchises in history. Whether played by Sean Connery or Daniel Craig, to George Lazenby, Roger Moore, Pierce Brosnan and even David Niven (in an irreverent parody of the espionage series), James Bond has thrilled audiences around the world their adventures to music by theme originally composed by Monty Norman jazz piece and enriched brilliantly for orchestra by John Barry, who composed the score of 12 of the 22 films that make up the series produced by the Broccoli. In the first adventure film, the James Bond theme was used as a sort of leitmotif associated with 007, and in the later films became the quintessential action issue, however, that Barry gave equal importance to other parts of the soundtrack. According to Wikipedia , the subject of James Bond has had many variations and adaptations according to the prevailing musical style in each época. Primeramente, se encuentra la versión "clásica" con los arreglos y orquestaciones de Barry y con Vic Flick en los riff de guitarra eléctrica; esta versión del tema aparece en las películas de Sean Connery, desde Dr. No hasta Diamantes para la eternidad , y ha sido la piedra angular para todos los compositores que han escrito música para alguno de los filmes de James Bond. Mencionemos que en Al servicio secreto de Su Majestad , Barry optó por una variación del tema en que un sintetizador moog tocaba la melodía, con el fin de distinguir al Bond de George Lazenby del representado por Connery.

After the arrival of Roger Moore, Barry unveiled "" symphony "of the item bondiano with better arrangements and dramatic orchestration, and eliminate the electric guitar. This version was presented from The Golden Gun Man to The living daylights , which was only a slight variation with synthesizers as a way to differentiate Timothy Dalton's Bond predecessor.
also in full swing Moore, The Spy Who Loved Me presents a variation of the song in a style very close to music and disk funky, very fashionable in 1970. The composer Marvin Hamlisch called Bond 77 to variation composed, for the year that the movie was released.
Much later, in the second and final film Timothy Dalton Licence to Kill when Barry did not return to work more for the franchise, the composer Michael Kamen revived some of the elements of the "classic" to fit guitar English, and thus give a tone allegedly Hispanic Bond adventure against a Latin American drug dealer. And then, after an interlude of six years in the series, the French composer Eric Serra was commissioned of the score in Goldeneye, but received severe criticism for the way he used the theme of Barry, played by synthesizers and vocals Hindus who gave inadequate gloomy tone to the melody. In fact the only appearance of Barry symphonic theme in the film, during the scene of the tank, due to the intervention of the composer John Altman.

Finally, after the failed attempt to Serra, David Arnold British took over rock the series and began its work with the "classic" in Tomorrow Never Dies to present his version The world sufficient with novel orchestral elements and techno which takes up to Die Another Day. But the air classic James Bond theme heard again on the same score composed by Arnold to Casino Royale.

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Once upon a time ... The Seven Wonders Musical

There, in the cellar of the restaurant owned by his father, among sacks of flour, boxes of vegetables and trash, the beautiful Deborah fulfills her dream of becoming a ballet dancer. Every morning at half-time, while his brother and father are busy serving the guests, the little girl runs away and locks work, alone, to dance like a delicate butterfly to the sound of Poppy . However, she knows not is completely alone. For several days, she discovered that the guy who loves has been spying on her every time he enters the makeshift studio, where he will begin a beautiful but frustrated love story.
The scene belongs to the gangster epic Once Upon a Time in America (1984), Italian director Sergio Leone, in which appears a very young Jennifer Connelly as the girl who falls in love the character she plays on stage Adult, Robert DeNiro. The love song of this movie is the Amapola (1924), Joseph M. Lacalle, of which we desire share a transcription for violin.

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In a world full of wonders in itself, it seems pointless ramble made what are the seven wonders of something. However, it remains an interesting exercise in imagination and, above all, knowledge to think about what are the seven wonders of the architecture, the seven wonders of nature, the seven wonders of literature or seven in the film . Certainly, we feel compelled to reflect on what the seven wonders, the seven masterpieces non plus ultra of classical music. The following is, therefore, our very personal list, in no time intended to be definitive, let alone, tax: 1) Beethoven's Ninth Symphony, as no other symphony reached perfection and grandeur of this work, which is also a call for brotherhood in a chaotic Europe and which has yet to know two of the cruelest wars suffered by humanity, 2) Small serenade, perhaps the best known works of Mozart and undoubtedly one of the loveliest to be made, and yet, only a small sample great genius of its author, 3) Toccata and Fugue in D Bach musical masterpiece of an era in which a man took his first steps toward maturity intellectual 4) opera Nabucco of Verdi, the most beloved Italian composer, who with his music evoked the spirit of an Italy struggling for its very existence as a nation, 5) the Rite of Spring, Stravinsky, powerful work that, like a dream, evokes a primitive world and fascinating; 6) Ravel's Bolero, from a simple idea, which repeated again and again, this piece will captivate with its erotic bars like a snake hypnotising its prey, and 7) Sound 13, Julian Carrillo, great system with which the composer, proudly Mexican and moreover potosino literally musical atom disintegrated and opened a huge grain of sounds yet to be explored.

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Al c Czech Antonin Dvorak (1841-1904) is credited for bringing the "nationalism" musical at its best. His symphonies, chamber pieces, operas, dances, Slavic and are imbued with the air of his native Bohemia, and bursting with melodic genius thanks to the deep spirituality which is of romantic ideas, the generosity with which develops and color that comes to combine the instruments. Of all his works, perhaps the most famous is the New World Symphony , composed between late 1892 and first quarter 1893, although the release did not occur until December 16, 1893, under the baton of Anton Seidl conducting the New York Philharmonic. Its four movements are Adagio / Allegro molto, Largo, Molto vivace and Allegro con fuoco. The second motion, we wish to share with you a transcription for violin, was inspired by the poem Song of Hiawatha , Henry W. Longfellow. This movement begins with a calm and solemn sentence, the orchestral score that precedes the entry of the English horn on a serious background. It is a nostalgic melody, with echoes in spirituals of the African American community nineteenth century, pervaded by a deep religious reverence that extends over several bars. I hope you enjoy playing this transcript as much as we do in our music test.

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From the New World How do I know the proper measure of violin? My friend the violin

In a previous post we talked about the different sizes of violin 4 / 4, 3 / 4, 1 / 2, etc., and we gave some tips about the appropriate measure to each according to age. Now I want to share a tip given to us by our teacher, especially new entrants, at the last meeting we had with him. To learn the violin as we should acquire, it must be measured with the long extended horizontally into the body side, our left arm. According to our teacher, the scroll of the instrument should not exceed half of the palm or be below the wrist. If the instrument is shorter, perhaps more should be done in a viola. And if the arm is too long, almost like wing pterodactyl, because once a cello. However, if you really want the violin, then take it with love and trust that takes the lover and not loose.

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A proverbial truth in the field of music, not just those who have been long career, but of those that have been launched in this kingdom, is that the instrument, whatever its kind, is the best friend of ours. I would say it is even an angel. But not like those of an angel who speaks some religious tradition. It is, rather, a variant of the divinity of the ancients inspiring soul with their singing fills us with joy unspeakable to the point of intoxication. Cogito ergo sum, Descartes said the sage. "I think therefore I am." With music, thanks to our friend the violin, the aphorism necessarily implies something beyond everyday existence, a lift to heights unattainable, there where the stars live, as the poets say more or less sugary substance. If the perfumer Giuseppe Baldini was taken, thanks the substance created by Jean Baptiste Grenouille, a garden in a delicate maid whispered to a subtle but provocative "I love you", the song of the violin not only gives us the promise, but the same satisfaction of a passion. Musa, perhaps, would be a closer description of what for us is the violin. Some may wonder why talk of a female deity being that the violin masculine noun implies. I have no better answer than that, being a god, an angel as we said above, the violin has the sex of angels. It is an androgynous divinity. However, planning and our own concerns, not surprising our inclination to give it a feminine name. But what is the best name for our violin androgynous? The first inspiration came from their own muses, might call Thalia, the muse of comedy, or, Calliope, as the patron of the epic. While it would be appropriate to call Euterpe, and the love of music, we like more the name of Erato, the muse of lyric poetry. Whether you call it, our violin, Erato, and it is fortunate for our attempts to create a lyrical poem by means of sounds.

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A charming film "The Violin"

When I went to the movies see The violin (dir. Francisco Vargas, Mexico, 2005), I was expecting the film trite complaint about human rights violations in Mexico. Trite say not reject the human rights situation in my country, but because the complaint has become commonplace not only of certain politicians who make the flag issue to attract votes, but of some intellectuals and artists who served the complaint pose to be conceit of critics and benefactors of mankind. Instead, I surprised a film that, without the exposure of embarrassing situations for power, not sink into the propaganda and privileges izquierdoide aesthetics. From simple but effective actions of the characters, especially the beloved Don Ángel Tavira as the grandfather a violinist, to photography reminiscent of Kurosawa epic images ( Beard, The Hidden Fortress, etc.) Through the proposed values \u200b\u200b(the struggle for dignity, oral tradition and social and family ties, the last and art music as elusive for the arrogant *, solidarity), The violin is a film that will undoubtedly set a milestone in the history of Mexican cinema and perhaps even become a classic of contemporary cinema.

(* Of particular humor, for those of us in this primary violinist, are the disastrous attempts of the military captain playing the violin, the bow is moving almost parallel to the strings. To the uninitiated know that the correct motion is perpendicular to the bow string.)

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Who would think! The case of Joshua Bell

not to blame the Indian but it does my friend, the wise proverb says Mexican is well you can apply to the virtuoso Joshua Bell (39 years, confirmed bachelor, attractive young women to die for.) Only newspaper The Washington Post came up lazy to do an experiment: put one of the best violinists in the world to play in cognito inside a subway station in the U.S. capital on Friday, January 12 (2007) at eight o'clock. The time when people, mostly federal bureaucrats at the station where the experiment was performed, go to the races to get to work. And Joshua Bell was just naive enough to consent to be used for idle American newspaper experiment, intended to show whether the average pedestrian is sensitive enough to stay and listen to music masterpieces or simply, as it happened, it follows long. If anything demonstrated the experiment is that if art is sublime, on the other hand, as Oscar Wilde said, "is absolutely useless at the time of check card. People who go to work is still long, no matter what you put for the move to one of the best violinists in the world, regardless of singing make a Stradivarius worth some four billion dollars, and without matter that gives life to the masterpieces of classical music. Everything has its time, ruling the Bible. There is a time to laugh and one to mourn, a time to read The Washington Post and other Corn Flakes for breakfast, there is a time to check card and another to hear Joshua Bell play for free! Certainly any connoisseur would say that should be very, very stupid hopelessly who pass by when one of the best violinists in the world giving a free concert in a public place. Overall, there is always the wonderful excuse to explain to the boss frowning, termination of a contract in hand, if one arrived two hours late for work is that it was hearing a concert by Joshua Bell in the subway. Yes, Joshua Bell, who at 14 took the solos of the Philadelphia Symphony Orchestra under the baton of Riccardo Muti large, which we are enthralled with the music of The Red Violin, which won a Grammy, then. The fact is that not everyone knows Mr. Bell, and in fact virtually nobody recognized him, except, according to the Post - a bureaucrat who gave $ 20. Twenty dollars for a concert violinist whose tickets are priced hundreds of dollars! (Side note, the impromptu recital at Joshua Bell paid off 37.12 dollars, not counting the twenty listed. Yes, people threw pennies and who gives money to a beggar.) It is true that Joshua Bell was "disguised" as violinist street, beggar musician, with his jeans, a sweatshirt and cap, but the hypothesis of the experiment was over whether, regardless of the façade of the artifice, the art is in itself so sublime that it should move the masses. Sure!, And Jean Baptiste Grenouille moved the mob and escaped execution thanks to the art of perfumery and a Guernica should stop massacres or Joshua Bell agglomerated masses of bureaucrats around him. But it was not. The virtuous, on the other hand super attractive to girls, Joshua Bell played and played his violin, and hardly anyone took it into account. The case has shocked the music lovers around the world, although one wonders how many of those same music lovers would not have done the same thing to be unaware that the ragged boy who was playing the violin in the subway was one of the best violinists in the world. In other words, is truly sublime art itself or are so commonplace that we need the place, advertising, media paraphernalia all for giving gifts to culture? "Conclusions derived from the judicious experiment: 1) in general, everyday users Enfant station (where it was held of yore) are an ignorant Runfla without any artistic sensibility, no matter how attractive, charismatic or virtuous was the artist who introduced them, 2) playing the violin in some U.S. metro stations are profitable, and sorry, if question one of the best violinists in the world; 3) some U.S. media have enough power to subdue the cream and cream their stupid culture experiments, and 4) Brad Pitt classical music failed him dozens of fanatical fans who harass the end of each concert. Better luck, we would have run Joshua Bell submitted a holiday in a plaza or public park. But equally, without neglecting the undeniable talent of Joshua Bell, may have had better luck Bond girls.

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not exactly a Stradivarius Playing violin

If the old adage warns, "creating fame and cast to sleep", this sentence can still be applied to musical instruments. But fame can be misleading when there is no complete information. That happened to a man in the city of Guadalajara, Jal. (Mexico), who entered a music shop to ask for the price of a violin, and when he saw the model it was thought that this was a masterpiece of craftsmanship. Could not resist, and asked the seller if the violin that he showed was a Stradivarius authentic. Of course, an instrument that is sold in a shopping plaza, at a price of 4 000 Mexican pesos (approximately U.S. $ 400.00) can not in any way, a Stradivarius genuine. As many know, Antonio Stradivari was a seventeenth-century Italian craftsman, famous for the extraordinary quality of the instruments he created, of which only about 700 survive today that prices are quoted in millions. So why do so many instruments that have a brand Stradivarius model? The reason is that over the centuries many European craftsmen have followed the teachings of Stradivari in the manufacture of stringed instruments. So when one is a violin marked "Stradivarius model", it was the canons of an old school manufacturing or luthiers, not that it is a genuine Strad . This is the case violin sold at that store in Guadalajara. Indeed, a 4 / 4 Strunal manufactured by the factory, based in the Czech town of Luby. A manufacturing industry, said on the violin, operating since 1640. So, I do not resist the temptation to take a look.

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rejuvenates!

Proven not to extensive scientific evidence but from personal experience. Truly I say to play the violin younger. We do not know at the time of writing this notice if it is an effect similar to water crystals shown in the film hidden messages in water or in the controversy What do you ... @% # & know, in which words "positive", loving, etc. as well as classic tunes, have the effect of creating beautiful shapes, with the possibility of improving psychophysiology of individuals, but since we started in the intricate art of the violin, now in at least once asking us to enter the official identification of adult movies when we had never requested or more years in our young men, and there are several known that when dealing in Street tell us "how do you see him so young?" They should not miss (pardon my speculation) that we attribute the envious pacts with demonic powers to Dorian Grey, but could hit it because, while we retain young and happy, others wrinkled and increasingly bitter. So, you know, if they kept young and beautiful, accompanied by their fruits and vegetables with a good melody of the violin.

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had known ... Sheet music for violin beginners

A story is told by there (I read it in a bulletin of Radio Universidad, San Luis Potosi) narrates that on one occasion a very famous orchestra, I think Leonard Bernstein, lent the baton to a music lover who had attended a concert. She left him conduct the orchestra in a single small room. In the end, the music lover director told something like "oh, that moving the wand is very simple." To which the director replied, "but please do not tell anyone." The anecdote illustrates the image formed many people about music. When you listen and begin to whistle, seems an easy thing. When we see the performers of the orchestra, such is the grace and agility with which they play their instruments, it seems easy. The truth, who has been involved in this fiddling is not as simple as that. And it gets harder as it develops. When you start to learn and as they are mastering the lessons, paradoxically, come to think that it is not as difficult as first thought. But new challenges bring us back to the conviction that we got into a good one. As a crescendo difficulties. Thus, there are those who are discouraged, those who stay on the road, which sooner or later abandon their dreams of a violinist. I remember, for example, a man of 70 who one evening came to where I take lessons. Our teacher, who plays the viola in a local chamber orchestra, asked him why he wanted to learn to play the violin. The Lord said that last weekend had watched a program on TV where a violinist played The legend of the kiss, and had touched so, so poignantly, that were eager to learn. So you made it easy to play the violin. Unfortunately, the gentleman had a handicap terrible suffering from arthritis. And you know well what is involved in arthritis for a violinist, for whom the accurate and fast typing is essential to play the notes, in addition to the same position that takes the instrument can be a torture for beginners, so that are pulled and twisted elbow joints, shoulder and left wrist. Not only was the issue of arthritis. As he said, was "to zero" his first (and last) violin lesson. Just started warnings that would have to learn music theory and barely began to play open strings, said: "the truth I did not know it was so difficult." Someone said: "We embarked, to which he replied with a hearty smile :" Well, I landed! " And never came back. And in the same way, have not returned several colleagues who arrived thinking that "this move the Archite" was easy. Well, until our teacher has told us that in its beginnings as a student he began to think several times to quit. And even now that he plays professionally, and studying techniques still further, in more than one occasion has said "he had known where I was going to get, and I get better. "Moral: to get in this violin, among other qualities, we must take a firm will.

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seem endless difficulties faced by the violinist a Third World country and particularly in a city as atra sada San Luis Potosi, which are thin neither teachers nor the places where they are taught violin lessons. To finish grinding, there are not enough houses to sell instruments and other musical items, much less libraries in which scores are achieved. Well, there are few libraries in this holy city, and the few that are concentrated Offerings Da Vinci Code and improvement. Sometimes one or another literary classic. So, you end up using the network of networks to address the overwhelming lack of musical literature. A site that I particularly like for diversity, affordability and speed of delivery (for express shipping) is http://www.sheetmusicplus.com/ , which I highly recommend to ask.

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I have been cheated! The first violin

One buy his violin. Comes home and the first thing you want is to start playing the instrument to wander through without knowing anything about music theory. All we want is to hear the ineffable sound of the bow on a string and then on another and another and last. Perhaps up to discover that we are born and solo musicians leave the unpublished notes of a melody. If the instrument comes with strings in a bag, these are extracted and placed in the instrument as God gives us to understand, if the device already comes armed with ropes, as was the case of Chinese violin that I purchased, only one tense little hope to target the proper pitch. Then he strained a little horsehair bow and voila! Nothing!
Oh, no! I cheated with a violin that sounds! (Ha, ha, ha.) The truth is that this is the ignorant beginner's mistake. Not knowing that such substance hard, yellow or brown, is not to give luster to the violin, but that the arc mane rub the strings and produce sounds, the song of the violin. You have to rub the pitch (or pitch) on the horsehair as it comes in its box. None of heating, simply rub the mane over and over again on the pitch for several minutes, until finally our first notes sound, dissonant, violent, anxious. Now we just need to learn to play.

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The best age

What is the best age to start on the violin? In this, apparently there is no clear consensus. Although many are of the opinion that it is better to start from very young (in Japan are taught almost from the two years), some people think that the best age is that when one has decided on its own conviction, not when one is put to learn the violin forces. Of course, one that's how I started on the violin and after 30, it seems a better option to start younger because the instrument requires time to master and, above all, dedication. Ten years ago I gave up playing the violin and began to see instruments and prices. I did not buy then, and so I spent the time between slave labor (one came home at three in the morning) and frank personal negligence. Finally bought a violin in September last year (2006) and began classes in January. Back in the trenches, I regret not having taken the decision makes a decade. The parts he would play now!

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The first difficulty faced at the time of becoming a violinist beginner is the instrument itself. What to buy? A 1 / 2 a 3 / 4 o un 4/4? Por supuesto, depende de la edad y la complexión física de cada quien. Pero, en general, los violines 4/4 son para gente desde 15 años, los 3/4 para niños de aproximadamente 11 años y el resto para los más jovenzuelos. Si tienen alguna duda acerca de qué medida adquirir, lo mejor es acudir a la tienda y probar cuál les acomoda más. La segunda dificultad tiene que ver con la calidad misma del instrumento. En esto hay diferencias. Hay quien opina que para el principiante es adecuado, digamos, un violín chino baratón, por aquello de para qué compras un Stradivarius si al rato vas a dejarlo morir de abandono en el sótano. Otros, au contraire, piensan que desde the principle requires the sacrifice to get the best violin possible, always to the extent of the economic possibilities of each. The argument gives a good violin sounds better, no matter who touches it, and the student is motivated more by listening to the notes on a violin that a good current. My experience was that of wasting is learned. I went to a store where I live, and bought an instrument average, economically speaking (about $ 120 U.S. approximately). Nothing expensive, but not the lowest price, that walk in here four or forty pesos U.S. dollars. The violin is Chinese. When I went to my class, the teacher told me was corrientón, but gave me some good advice: change those strings of wire that tend to come Chinese violins, for a better quality. I bought some rope Supersentitive, and the truth is that significantly improved the violin sound. Even my professor changed his mind. Now, my tune notes sound better than ever.

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This blog was created for the exchange of information among violin aficionados. Welcome all who wish to share their experiences, their stories, their beginner's mistakes, their hot flashes because they can not get a single the air as God commands, not knowing at first what the pitch was used yellow lightning that was coming in the case of your instrument, not knowing what a pizzicato or staccato , but also the ineffable joy of playing for the first time, even the early stages of the cockroach .