The first difficulty faced at the time of becoming a violinist beginner is the instrument itself. What to buy? A 1 / 2 a 3 / 4 o un 4/4? Por supuesto, depende de la edad y la complexión física de cada quien. Pero, en general, los violines 4/4 son para gente desde 15 años, los 3/4 para niños de aproximadamente 11 años y el resto para los más jovenzuelos. Si tienen alguna duda acerca de qué medida adquirir, lo mejor es acudir a la tienda y probar cuál les acomoda más. La segunda dificultad tiene que ver con la calidad misma del instrumento. En esto hay diferencias. Hay quien opina que para el principiante es adecuado, digamos, un violín chino baratón, por aquello de para qué compras un
Stradivarius si al rato vas a dejarlo morir de abandono en el sótano. Otros,
au contraire, piensan que desde the principle requires the sacrifice to get the best violin possible, always to the extent of the economic possibilities of each. The argument gives a good violin sounds better, no matter who touches it, and the student is motivated more by listening to the notes on a violin that a good current. My experience was that of wasting is learned. I went to a store where I live, and bought an instrument average, economically speaking (about $ 120 U.S.
approximately). Nothing expensive, but not the lowest price, that walk in here four or forty pesos U.S. dollars. The violin is Chinese. When I went to my class, the teacher told me
was corrientón, but gave me some good advice: change those strings of wire that tend to come Chinese violins, for a better quality. I bought some rope
Supersentitive, and the truth is that significantly improved the violin sound. Even my professor changed his mind. Now, my tune notes sound better than ever.
The first difficulty faced at the time of becoming a violinist beginner is the instrument itself. What to buy? A 1 / 2 a 3 / 4 o un 4/4? Por supuesto, depende de la edad y la complexión física de cada quien. Pero, en general, los violines 4/4 son para gente desde 15 años, los 3/4 para niños de aproximadamente 11 años y el resto para los más jovenzuelos. Si tienen alguna duda acerca de qué medida adquirir, lo mejor es acudir a la tienda y probar cuál les acomoda más. La segunda dificultad tiene que ver con la calidad misma del instrumento. En esto hay diferencias. Hay quien opina que para el principiante es adecuado, digamos, un violín chino baratón, por aquello de para qué compras un Stradivarius si al rato vas a dejarlo morir de abandono en el sótano. Otros, au contraire, piensan que desde the principle requires the sacrifice to get the best violin possible, always to the extent of the economic possibilities of each. The argument gives a good violin sounds better, no matter who touches it, and the student is motivated more by listening to the notes on a violin that a good current. My experience was that of wasting is learned. I went to a store where I live, and bought an instrument average, economically speaking (about $ 120 U.S. approximately). Nothing expensive, but not the lowest price, that walk in here four or forty pesos U.S. dollars. The violin is Chinese. When I went to my class, the teacher told me 
was corrientón, but gave me some good advice: change those strings of wire that tend to come Chinese violins, for a better quality. I bought some rope Supersentitive, and the truth is that significantly improved the violin sound. Even my professor changed his mind. Now, my tune notes sound better than ever. 
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